
The New Pornographers
What's amazing about the Pornos is that the incredibly intricate sound you hear on their albums is exactly what you hear when they do it live. In fact, I think, it's far better hearing (and watching) it live, than on their albums.
A lot of the reviews that I've read of shows they've done in the past always expressed a disappointment at not every member of the band being there. I know Neko Case is sometimes touring on her solo stuff and is unable tour with the band.
So, I guess maybe I was a little be lucky to catch them yesterday at the House of Blues (which kinda sucks, honestly... a pretty bad venue) because everyone was there.
The band's catchy, anthemic sound plays so well live. It's the kind of show that makes me wish I was a better writer so I could describe the scene. There's so much going on during their set, but it's never too much. They just pound out song after song and, while the band has a definite sound, it never gets monotonous. Every song built on the other until their last song (I'm not familiar enough with their catalog to recognize it, but it was awesome and I'll name it as soon as I can figure it out A little bird told me that it was Bleeding Hearts Show) just exploded off the stage.
I'm really glad I got to see this set.
UPDATE: Here's the set list (Thanks to Blogs are for Dogs):
All the Things That Go to Make Heaven and Earth / Use It
/ Myriad Harbour / All the Old Showstoppers / The Laws Have Changed /
Challengers / Jackie Dressed in Cobras / My Rights vs Yours / Mass
Romantic / The Spirit of Giving / Twin Cinema / Go Places / Sing Me
Spanish Techno / Bleeding Heart Show
Spoon
I guess I had no idea how big Spoon has gotten. I know the Austin connection is a big reason why they would have such a devoted following here in Dallas, but the crowd was into this band.
Me? Meh.
I mean, they are good. You know the scene in Back to the Future when Marty McFly is playing Earth Angel, and due to warps in the space/time continuum, has his hand start to disappear on him as he is snuffed out of existence? The sound that comes out of his guitar during that scene is a lot like frontman Britt Daniel's style.
That's not to say it's bad. The band is interesting live, and I'm not trying to say they were bad. I just thought it got a bit old after a while. He plays rhythm guitar, but it's almost like he's playing lead the way he attacks the negative space.
And, make no mistake about it: He's a great front man. He's captivating and energetic. As the Morning News said this morning, he creates a very dirty sound that is very interesting.
I'm not that big a fan of bands that rely overly on effects pedals. Bands like Wilco certainly do it, but they do it as a compliment to the music. Spoon, I think, goes a little overboard with it.
As to be expected, they were great on songs like You Got Yr Cherry Bomb and The Underdog and, the surprise of the night for me, The Ghost of You Lingers was much better live than it is on the album where it is really just a throwaway track for me.
I like 'em, but I'm not in love with 'em. But I'm definitely in the minority here. This band is blowing up.
UPDATE: Spoon set list (Again, from Blogs are for Dogs):
Small Stakes / Don’t You Evah / You Got Yr Cherry Bomb*
/ Stay Don’t Go* / Delicate Place / The Minor Tough / The Ghost of You
Lingers / Rhythm & Soul / The Beast & Dragon Adored / Me
and the Bean / Vittorio E / The Two Sides of Monsieur Valentine / They
Never Got You / I Summon You / I Turn My Camera On / Don’t Make Me a
Target / Jonathan Fisk* / The Underdog* / Black Like Me // Encore:
Japanese Cigarette Case / Peace Like a River (Paul Simon) / Quincy Punk
Episode / My Mathematical Mind (*with four-piece brass)
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